PhD Research Profiles

  • Gianni Barchiesi

    How the perceptual experience of cinema echoes our lives as perceivers in action

    The purpose of this dissertation is to 1) explore and describe the general qualities of our perceptual experiences of cinema through the tools of the enactive theory of perception, and 2) to use said qualities to present the type of perceptual experience that cinema can afford us as specific of this medium.

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  • Lukas Brasiskis

    Between Two Regimes of Historicity: Materiality and Chronotopes of Memory in Post-Soviet Eastern European Films and Video Art

    In my dissertation I hypothesize that an emphasis on material constituents of a cinematic chronotope enables us to re-examine and re-consider historical and mnemonic changes in Eastern Europe as they are represented on screen. Instead of focusing on representations of dominant historical narratives, in my research I pay attention to roles images of material and non-human agents play in fiction, non-fiction and experimental films produced in the period of the Soviet-to-post-Soviet transition.

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  • Nathaniel Brennan

    Film Theory and Wartime Intelligence: Research and Analysis at the Museum of Modern Art Film Library during World War II

    My research focuses on the social, cultural, and intellectual histories of cinema in the United States during the first half of the twentieth century. My dissertation explores the collaboration between the Museum of Modern Art Film Library and the federal government to derive useful intelligence from (primarily) captured enemy cinema during World War II.

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  • Ting-Wu Cho

    Taiwan Pulp! The Emergence and Consumption of The Trans-Asian Exploitation Film (1970s-1980s)

    The research investigates the emergence of "Taiwan pulp," a group of low-budget exploitation films that contested the state censorship with the sensational, and its relationship with cinema cultures and industries in various Asian countries as a consequence of the geopolitics of the Cold War.

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  • Anila Gill

    The Partitioned Self: Photography, Cinema, and Civic Memory in Lahore and Bombay (1930-1950)

    My dissertation offers three bodies of texts - photography, memoir, and cinema – as critical sites where Indian subjects worked through epistemic uncertainties under colonial regimes of sight and control. Deploying a method of anti-colonial untimeliness to project the Partition of India as a decelerated, unfinished historical moment, my research ultimately understands Partition as a process that dispersed fields of vision and produced divided perceiving selves.

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  • Tanya Goldman

    A Free and Better Screen: Tom Brandon and Film Distribution Outside Hollywood, 1931-1968

    My research focuses on mid-twentieth century nonfiction film and its history as a mode of political and cultural practice. My dissertation considers these questions via the career of American nontheatrical film distributor Tom Brandon, an influential figure behind documentary, educational, and art film circulation from the 1930s to 1970s.

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  • Zoe Meng Jiang

    Technics of Post-Socialist-Realism: Documentary and Contemporary Art in China

    My dissertation aims to investigate the discursive practices of non-fiction moving-image arts produced in China from the late 1970s to the present time. Within a techno-materialist approach, my study is situated in between various fields – documentary studies, transnational art cinema, global contemporary art. My goal will be to provide viable accounts of the increasingly hybrid and multidisciplinary aesthetics of audiovisual works that emerged under both the “hard” censorship of the state and the “soft” censorship of the market.

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  • Jasper Lauderdale

    Black radical alterity and the decolonizing of space and time in speculative film and media practice: Beyond the final frontier

    My dissertation seeks to illumine the oppositional, resistant, subversive and utopian aesthetic strategies embedded and deployed in black speculative art practice, in particular those works that foreground the intersectionality of race, gender and sexuality to imagine alternate pasts, presents and futures.

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  • Rochelle Miller

    Hollywood's Ballyhoo Boys and Girls: Movie Promotional Strategies of the Studio-Era

    My dissertation asserts that Hollywood movie marketing campaigns of the studio-era proved key to the articulation of film culture in the US. My research focuses on specific movie promotional strategies executed between the years 1930 to 1948.

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  • Adam Segal

    Quality TV in the Multichannel Era

  • Justin Shanitkvich

    A Phenomenology of Taste in the Moving Image

    The aim of this dissertation is to illuminate the ways in which audiovisual media may stimulate or simulate a bodily taste response. I explore this dimension of what is largely film and television consumption with regard to a variety of practices, from animation to the European and American avant-garde and beyond.

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  • Negar Taymoorzadeh

    Melodramatic Responses to Modernization across Turkey's Yesilcam cinema and Iran's FilmFarsi

    My dissertation focuses on the historical interconnections betweenEgyptian Golden Age melodrama, Turkey’s Yesilcam Cinema, Iran’s pre-revolutionary popular Cinema (FilmFarsi).

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  • Lauren I Treihaft

    My current doctoral research examines the ontological and epistemological limits of the contemporary discourse on temporality in an age defined by endless information streams, screen time, and binge-watching. I am interested in how our changing experience and perception of time is reflected globally in nascent cinematic forms and televisual modes.

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  • Raymond Tsang

    Wu/xia: law Outside of Law - Socio-cultural History of Martial Arts Cinemas from the 1950s to the Early 70s

    The research will shed light on those understudied Hong Kong martial arts films from 1950s to the early 1970s. It argues martial arts cinema and other cultural practices in that period paved the way to contributing the myth of maintaining law and order, and stability and prosperity in the mid 1970s - making the core value of Hong Kong from which spawned the predicament of postcolonial Hong Kong.

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